Make sure to describe whether it is an interior or exterior shot and day or night. Follow these steps to add an intercut to your own script: That’s because an intercut sequence is essentially a single scene shot in multiple locations. They can then consider that vision when they’re shooting the movie.Īn intercut also lets a screenwriter write a single scene heading for each shooting location, rather than multiple sluglines. Including an intercut on a script lets the director and editor know about the screenwriter’s vision. However, in many cases, screenwriters add intercuts to their scripts. Sometimes directors add intercuts to their films during post-production. Another film technique could also make these scenes clearer. Two or more juxtaposed scenes that are lengthier, and thus more elaborate, may be too difficult for viewers to follow at the same time. Following the two different sides of a simple telephone call using an intercut is easy. In these instances, screenwriters should consider whether other film techniques would make their narrative clearer.Īn intercut can also be confusing if the scenes juxtaposed together are very long. If an intercut shows any more than two locations, it can become confusing. Scenes where one character watches another from a distance, such as scenes involving a stalkerĪn intercut isn’t always the best option, though.Digital conversations through text message or online instant messaging.Intercuts usually show different perspectives or propel action in the following scene types: Make a script shorter and more readable by eliminating multiple scene headings/sluglines.Summarize some action or narrative development.Emphasize the link between different scenes.Make a story more engaging by skipping over unnecessary details.Tell a more complex story with multiple plot lines.Reasons to Intercutįilmmakers use intercuts for several reasons. One of his most notable examples is the 1916 film “Intolerance.” In this ambitious movie, Griffiths intercuts four parallel storylines occurring centuries apart. His intercuts enhanced continuity in his films. Griffiths pioneered the technique as early as 1909. While this film sequence uses the technique of intercutting, it is not called an intercut on the film’s script.įilmmakers have used intercuts throughout cinematic history. For example, they might move from a close-up to a wide shot. However, filmmakers can also intercut one shot type with another contrasting shot type. With this method, you may choose to not even indicate MONTAGE, as the short scene descriptions may make it obvious.An intercut typically juxtaposes scenes in different locations. It’s often the best choice, particularly if more than one thing happens in each scenelet. She devours the rest of the cow in one bite, smiling as she does.Ī third method for handling multiple locations is to slug each one as its own short scene. Responding to the whistle, the dragon pokes her full-sized head out of the cave. He whistles as he puts the cut on the fire. The dragon flaps her wings, and they take off.Į) Outside the Cave – Adult Lance is cutting a serving of meat off a freshly-killed cow. Her eyes adjust as she takes in the sight.Ĭ) Beach – Teenage Lance jogs along the water as the young dragon practices flying, stumbling like a kite in a thunderstorm.ĭ) Woods – Eighteen-year-old Lance runs along side the gliding teenager, and he hops on. MONTAGE – LANCE AND THE ORPHAN DRAGON GROW UPĪ) Dragon’s Den – Young Lance hop-scotches while the newly orphaned infant dragon searches for her deceased mother.ī) Mountainside – Twelve-year-old Lance takes the baby dragon out of the cave for the first time. When the montage is finished, indicate END OF MONTAGE: If the montage takes place in a different location than the previous scene, add MONTAGE to the scene header for the new scene. Noel tries to answer, but can’t catch his breath. Sal stands in the newly-reorganized gym, proud. Noel attempts to do the same, but can’t budge it his feet move as if he’s walking, but he goes nowhere. Without looking, Sal tosses medicine balls to Noel, who jumps out of the way like they’re dodgeballs. A few feet away, Sal bends over to examine the bench, ducking just in time to avoid Noel’s flailing bar. Noel carries a bench-press bar, losing his balance. Sal walks by in the background, easily carrying three of them. Sal walks in and sees the place is a mess.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |